導(dǎo)演：安東尼奧·布勒爾

Director： Antonio Bühler

編舞：布麗奇特·茉弗莉

Choreographer：Brigitte Meuwly

劇情簡(jiǎn)介

我們?cè)诓粩喔淖儯钪袥]有什么是永恒的。時(shí)間在改變，我們的關(guān)系和價(jià)值觀也在變化。隨著時(shí)間的流逝，變化貫穿于我們的生活中。唯一持久的是生命的不斷運(yùn)動(dòng)。在我們的有生之年，我們要面對(duì)出生和死亡。我們必須準(zhǔn)備迎接新的挑戰(zhàn)，必須能夠告別心愛的人，珍惜現(xiàn)在。而變化是否也意味著機(jī)遇和運(yùn)氣?這是一部關(guān)于探討“變化”的作品。

在這部舞蹈作品的開始，舞者通過身體的動(dòng)作調(diào)整肌肉的張力。他們?cè)谖枧_(tái)上與對(duì)方通過身體的對(duì)抗，就像我們對(duì)待生活所作的斗爭(zhēng)，身體上的變化體現(xiàn)了他們?nèi)绾蚊鎸?duì)生活中新的狀況和關(guān)系。舞蹈作品的最后，舞者在舞臺(tái)上的動(dòng)作是自由發(fā)揮的，沒有束縛，如同我們面對(duì)生活的方式。

Introduction of play：

We are in constant metamorphose, nothing in life is eternal. Time changes, our relationships and values alter. As companions of waning time, changes are a steady guide on our movements through life. The only perpetual evidence is the constant movement of life which is recreating incessantly. In our lifetime we have to deal with birth and death, with upcoming and leaving relations. We have to be ready for new challenges and we have to be able to say goodbye to beloved persons, to cherished conditions. Do changes also mean chance, luck? Change is not a narrative performance but a succession of allegorical scenes speaking of change.

The dancers adjust their muscular tension as we adjust our mental standpoints to upcoming events in life. They fight against themselves or against each other as we struggle in daily life to integrate new, unknown conditions or to leave comfortable, well-known situations. By a playful alternating of duos and solos, in which the bodies geometry changes, they express the new situations and relationships we are faced with. The piece ends with a sequence of free moving bodies on the floor, accepting the flowing transformation of the body-shape, with no resistance, supply, delicately and playfully as our attitude to life should be.

溫馨提示：1.2米以下兒童謝絕入場(chǎng)(兒童項(xiàng)目除外)，1.2米以上兒童需持票入場(chǎng)。

學(xué)生票僅限劇場(chǎng)購(gòu)買。